Bach Bibliography
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Series : ^[p]ABS_Bethlehem$
Year : 2008
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TypeListTitle[further info]SeriesVolNoYearPagesStatus
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1. Bach's parallel proportions and their implications, illustrated by the Six solos for violin, the Leipzig organ chorales and the Musical Offering. [p]ABS_Bethlehem May 2008
2. Modifying the Da Capo? Through-Composed Da Capo Arias in Cantatas and Oratorios of Bach and Handel. [p]ABS_Bethlehem May 2008
3. Considerations of Genre in J. S. Bach's BWV 10, Meine Seel erhebt den Herren. [p]ABS_Bethlehem May 2008
4. Echoes of J. S. Bach's Leipzig in Johann Adam Hiller's Wöchentliche Nachrichten und Anmerkungen die Musik betreffend. [p]ABS_Bethlehem May 2008
5. Are Bach's Oratorios Sacred Operas? [p]ABS_Bethlehem May 2008
6. Bach and the Oratorio Tradition. [p]ABS_Bethlehem May 2008
7. Sound-Encoded Politics: J. S. Bach's Cantata Tönet, ihr Pauken (BWV 214). [p]ABS_Bethlehem May 2008
8. Johann Sebastian Bach and Barthold Heinrich Brockes. [p]ABS_Bethlehem May 2008
9. Jonathan Miller's Production of the St. Matthew Passion and the Limits of Representation. [p]ABS_Bethlehem May 2008
10. Thematic Transformation and the Design of Bach's D minor Ciaccona, BWV 1004/5. [p]ABS_Bethlehem May 2008
11. Chorale-Tropus and Dramatic Coherence in Bach's Oratorios. [p]ABS_Bethlehem May 2008
12. The Narrative Structure of J. S. Bach's St. Matthew Passion. [p]ABS_Bethlehem May 2008
13. Oratorio on Five Afternoons: From the Lübeck Abendmusiken to Bach's Christmas Oratorio. [p]ABS_Bethlehem May 2008
14. Mendelssohn's Oratorios and the Bach Tradition. [p]ABS_Bethlehem May 2008

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